Eugenie Lee is a Korean-born, autistic, queer interdisciplinary artist living on Wangal Land (Sydney, Australia). Her practice has a conceptual focus on persistent pain, women’s health, and other invisible disability in the context of social wellbeing and advocacy. She collaborates with partners from science and the humanities to reconfigure research and lived experience into creative works, including participatory performances, installations, sculptures, and paintings. Her practice integrates Crip Theory, Phenomenology, Disability Studies, Feminism, and Neuroscience to explore innovative ways to draw out a deeper understanding of the fundamental experiences of a social being. Eugenie’s major exhibitions include Psyche at Science Gallery in Bengaluru, India (2022), the Big Anxiety Festival at UNSW (2019), the inaugural show MOD.IFY: It’s not what you know at Museum Of Discovery (MOD.) in South Australia (2018), the touring exhibition The Patient: The Medical Subject in Contemporary Art curated by Dr Bec Dean at UNSW Galleries (2016), Manning Regional Gallery in Taree (2016), and Riddoch Gallery in Mt Gambier (2017), and Art of Pain curated by Vicki Sowry, at the Hawkes Centre in Samstag UniSA (2015). Eugenie is a recipient of Career Development Grants Creative Australia (2020), Create NSW’s 360 Vision: Virtual Reality/Augmented Reality Development Initiative (2019), Synapse residency by ANAT (2015), and Amplify Your Arts by Accessible Arts (2014). Her residencies with Prof Lorimer Moseley and his team at Body In Mind (BIM), and Assoc. Prof. James McAuley and his team at Centre for Pain IMPACT at Neuroscience of Research Australia (NeuRA) were a major stimulus to her artistic development and collaborations across art, science and technology. She is a member of a prestigious Global Alliance of Pain Partners for Pain Advocacy Task Force (GAPPA) for the International Association for the Study of Pain (IASP). Eugenie graduated with 1st class Honours from Sydney College of the Arts in 2012.